Saturday, 7 January 2012

Plywood


  • The Eames brothers: Charles Eames and Eero Saairnen entered a 1940 MOMA design competition and win two awards for moulded plywood pieces, setting the stage for the Eames brothers influential career of modern design using plywood
  • The chair: The chair is the most popular form in molded plywood furniture with stackability remaining an important design component
  • Tables, desks and stools: Contemporary plywood coffee tables, end tables and desks are gaining in popularity
  • Interiors: Plywood’s perception as an honest and modern material makes it a natural choice for contemporary interiors, including panelling and kitchen cabinets
  • Whimsical wood: Past and present designers have used the simple shapes of moulded plywood to express a sense of modern whimsy and the material lends itself to designs for children and pets
  • Furniture and beyond: Designers have taken plywood outside of the realm of simple furniture, including Tapio Wirkkala who created plywood bowls and sculptures, and Grete Jalk who designed nesting tables and stools. Today, the Benjamin Stool by Ikea is a DIY pop culture icon
  • Plywood 2.0: Plywood offers attainable and modern design and relies on historical elements like stackability and cutting from a single piece while incorporating new cutaway/layering and patchwork veneer techniques

SHELTERS: TREND ANALYSIS

As private/personal space becomes popular for the consumer this article explores all the latest trends of modern shelters/pods.

Shelter Trend Hub WGSN link



Consumers are moving towards the mindset described in WGSN's autumn/winter 2011/12 macrotrend Your Space: “People are increasingly creating self-contained, portable, self-generating environments.... Take control. Play with concepts such as invisibility and absence. Create a sense of personal space to let consumers breathe, think and let a little beauty in.”

Within architecture and spatial design, this direction manifests in the form of isolated constructions and physical hideaways that allow the consumer space and time to relax and reflect.
WGSN has identified four key approaches within the trend: fortified and heavily protected structures, treehouses and hidden getaways, contemplative retreats and working pods for employees.
  • Architects are increasingly utilising a bunker aesthetic, creating buildings that look as if they could withstand a doomsday scenario or future ecological catastrophe
  • The idea is similar to that of the "safehouse", often found in science fiction and literary considerations of dystopian scenarios
  • Tough, strong materials such as concrete and stone are shaped into simple block forms and left unfinished, creating a rough and ready feel
  • The landscape around the building is often exploited, with architects burying projects into rocks or hillsides, or designing forms which blend into their environments almost to the point of invisibilityThe recent increase in dwellings located high in the trees denotes a more playful take on the shelter trend
  • Tree Hotel, a two-person residence in a forest in Sweden by Tham Videgård Arkitekter, is clad in a mirror-panelled shell that reflects the surrounding trees so effectively, it’s difficult to even notice its presence
  • Other projects act as calm areas for solitude and spiritual exploration
  • These buildings are usually located in isolated environments, are difficult to access and are extremely peaceful in their elective seclusion
  • As space and tranquility become more rare in our daily lives, consumers crave extreme antidotes to cramped and crazed urban life. Remote outposts offering stillness and an opportunity to reflect provide an attractive alternative, even if just for a short time
  • Individual outposts also provide a great opportunity to minimise distractions when working and allow employees to complete tasks both more quickly and effectively
  • It’s long been the case that writers use secluded spots to focus on their work – British authors Roald Dahl and Philip Pullman both famously wrote/write in sheds at the bottom of their gardens – and now the idea spreads to other types of employment
  • The trend began inside the office (see our earlier report) with sheltered work stations, and is now moving outside to utilise the health and productivity benefits of access to fresh air and the natural environment

House of Fraser, Buy&Collect store

House of Fraser, the UK’s leading department store group, has opened its first new concept store in Aberdeen’s Union Square, with iPads, computers and interactive screens replacing merchandise.


The innovative new store will focus on House of Fraser’s Buy & Collect proposition. At 1,500sq ft, the smaller store format will not stock merchandise. Instead, a series of iPads, computers and interactive screens will be used to order products, which are then delivered the following day to either the customer’s home or to the store for collection.   


This Buy & Collect store gives customers direct access to over 1,000 brands stocked on House of Fraser’s recently redesigned website, which include exclusives such as Biba and Mary Portas’ label, through to stalwarts like Polo Ralph Lauren, Chanel and MAC.  


Customer service is key to the overall concept, with a complimentary coffee bar and comfortable seating encouraging a relaxed shopping environment. Inspired by the level of service given by hotel concierges, the store offers a virtual personal shopping facility as well as traditional department store features including a wedding list and beauty testers. Fitting rooms will also be provided so customers can try on items before taking them home.  


Robin Terrell, executive director of multi channel for House of Fraser, commented: "Aberdeen is a thriving city and we’re extremely excited to be returning there with our first House of Fraser.com store. This is an entirely new concept and the launch is a pivotal moment in the development of our multi channel business, which has seen online sales increase by 107% in the first half of the year."  


Further House of Fraser.com stores are planned, the next being in Liverpool One, which will open later this year.


Retail Displays


EL PALACIO DE HIERRO, INTERLOMAS, MEXICO CITY

Tuesday, 3 January 2012

Emilio Pucci pre-summer 2012

Christian Dior haute couture

Christian Dior coutureChristian Dior coutureChristian Dior couture


His haute couture shows are one of the most highly-anticipated events in the fashion calendar. And John Galliano didn't disappoint with his latest collection for Christian Dior.
Inspired by the illustrations of René Gruau, whose work was synonymous with the French fashion house from 1947 onwards, the elaborate creations had a distinctly painterly feel.
Indeed some even had almost feather-like brushstrokes painted on them, while others featured cascading layers of feathered fabric.

But it was the voluminous shapes that had the most impact on the catwalk. From the geometric Forties and Fifties silhouettes to the drama of the bubble-hem dresses, every piece was almost sculptural in its precision.
Razor sharp pleats fell around the models' legs in layers of varying lengths to reveal the contrasting colour of the dress lining beneath.
The limited palette of vibrant red, black, teal and taupe also added to the drama, and a catwalk lit in the same colours set the scene.


Read more: http://www.dailymail.co.uk/femail/article-1350115/Christian-Dior-haute-couture-Brushstrokes-primary-colours-make-work-art.html#ixzz1iPpSMcAQ


Read more: http://www.dailymail.co.uk/femail/article-1350115/Christian-Dior-haute-couture-Brushstrokes-primary-colours-make-work-art.html#ixzz1iPpD37eM



Daily Mail article

watercolour interior illustration